The Perfect Short Story: An Art Form


I enjoy reading short stories. A brilliant short story can transport me, leave me with exquisite emotional upheaval, or elicit continuous thought. Unfortunately, however, not all short stories are enjoyable to read. The truth is that short stories can be tedious. They can be self-centered, perplexing, predictable, droll, and rubbish. The actual Interesting Info about Ghum Hai KisiKey Pyaar Mein Upcoming Story.

Understand me. I’m all for writing straight from the heart or the head onto the page; it may be quite therapeutic. But I’m not referring to that kind of statement here. I’m referring to the stories a writer wishes to publish or has published in the broader world, not the other levels. Those stories should stay at home in a diary, written for self or for the pure fun of writing, possibly shared with family and friends, but not inflicted on the rest of the world.

So how do you decide which stories to tell the rest of the world? The answer is as simple as two words. These two words are crucial to the short-story writer but are frequently overlooked while immersed in creating a story – these words are “the reader.”

Please allow me to introduce you to the reader. The reader enjoys being amused. The reader avoids anything predictable or clichéd. The reader will scoff at anything that doesn’t ring true.

The skill of writing the perfect short tale is to keep the reader in mind as you write.

The reader desires the following: In your story, the reader expects something to happen. She doesn’t want to have to sift through paragraphs of flowery prose or emotional stream-of-consciousness to identify the action, climax, or incident. Besides, there isn’t enough space in a short story for all of that. Aim for interesting and punchy; take the reader on a journey, not just a stroll through the countryside.

There’s no place for a lot of complicated stories and twists. Your ideal account is straightforward but engaging. Is there any ambiguity in your account? The reader sighs heavily and instructs you to go back and erase it right away. Your account has a beginning, middle, and end; the reader does not want more or less.

To be honest, the reader wants to be emotionally invested. Allow the reader to become emotionally invested. Wait, don’t just let it happen: demand it. Write something that makes the reader feel something. The reader does not want you to express emotions on a silver platter. Don’t just say, “Helen was happy,” but show the circumstances that made her happy so the reader can share her joy. Don’t just remark, “It made Helen smile”; describe her happiness in your own words.

The reader wants to confront the characters in your story. She has no desire to meet with wishy-washy people with dull characteristics. Remove clichéd characters and behaviors from your accounts. Each character wants something; figure out what it is. Make your primary character someone the reader can identify with, sympathize with, or find so intriguing that she can’t take her eyes off.

The reader, as you can guess, is demanding. But that’s not even half of it. The reader needs exciting settings as well as interesting personalities. Setups should be unique and imaginative.

Most importantly, the reader expects steady brilliance rather than flashes of brilliance in a short story. She wants crisp, attention-grabbing text that ends the race with a powerful finish, not a lame flop. The reader does not desire a first draft spilled directly from your thoughts onto the page (see paragraph 2). Instead, the reader expects something organized and polished, where every syllable leads her to the story’s climax and finale and where every word is necessary.

So, consider the reader before you start writing your next short story. If there is a moral to this narrative, it is this: don’t be short-story selfish. Consider the reader, not yourself.

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